Italy

31 Hertford Street, Mayfair, May 16th, 1860. - I came hither from Bath on the 14th, and am staying with my friends, Mr. and Mrs. Motley. I would gladly journalize some of my proceedings, and describe things and people; but I find the same coldness and stiffness in my pen as always since our return to England. I dined with the Motleys at Lord Dufferin's, on Monday evening, and there met, among a few other notable people, the Honorable Mrs. Norton, a dark, comely woman, who doubtless was once most charming, and still has charms, at above fifty years of age.

We left Arezzo early on Monday morning, the sun throwing the long shadows of the trees across the road, which at first, after we had descended the hill, lay over a plain. As the morning advanced, or as we advanced, the country grew more hilly. We saw many bits of rustic life, - such as old women tending pigs or sheep by the roadside, and spinning with a distaff; women sewing under trees, or at their own doors; children leading goats, tied by the horns, while they browse; sturdy, sunburnt creatures, in petticoats, but otherwise manlike, at work side by side with male laborers in the fields.

May 25th. - We were aroused at four o'clock this morning; had some eggs and coffee, and were ready to start between five and six; being thus matutinary, in order to get to Terni in time to see the falls. The road was very striking and picturesque; but I remember nothing particularly, till we came to Borghetto, which stands on a bluff, with a broad valley sweeping round it, through the midst of which flows the Tiber.

At setting off [from Incisa], we were surrounded by beggars as usual, the most interesting of whom were a little blind boy and his mother, who had besieged us with gentle pertinacity during our whole stay there. There was likewise a man with a maimed hand, and other hurts or deformities; also, an old woman who, I suspect, only pretended to be blind, keeping her eyes tightly squeezed together, but directing her hand very accurately where the copper shower was expected to fall. Besides these, there were a good many sturdy little rascals, vociferating in proportion as they needed nothing.

June 8th. - I went this morning to the Uffizi gallery. The entrance is from the great court of the palace, which communicates with Lung' Arno at one end, and with the Grand Ducal Piazza at the other. The gallery is in the upper story of the palace, and in the vestibule are some busts of the princes and cardinals of the Medici family, - none of them beautiful, one or two so ugly as to be ludicrous, especially one who is all but buried in his own wig.

August 2d. - We had grown weary of the heat of Florence within the walls, . . . . there being little opportunity for air and exercise except within the precincts of our little garden, which, also, we feared might breed malaria, or something akin to it. We have therefore taken this suburban villa for the two next months, and, yesterday morning, we all came out hither. J - - - had preceded us with B. P - - - . The villa is on a hill called Bellosguardo, about a mile beyond the Porta Romana.

October 2d. - Yesterday morning, at six o'clock, we left our ancient tower, and threw a parting glance - and a rather sad one - over the misty Val d' Arno. This summer will look like a happy one in our children's retrospect, and also, no doubt, in the years that remain to ourselves; and, in truth, I have found it a peaceful and not uncheerful one.

I am obliged to interrupt my account of the Spanish chapel by the following notes on the sculptures of Giotto's Campanile: first because I find that inaccurate accounts of those sculptures are in course of publication; and chiefly because I cannot finish my work in the Spanish chapel until one of my good Oxford helpers, Mr. Caird, has completed some investigations he has undertaken for me upon the history connected with it. I had written my own analysis of the fourth side, believing that in every scene of it the figure of St. Dominic was repeated. Mr.

by John Ruskin

If there is one artist, more than another, whose work it is desirable that you should examine in Florence, supposing that you care for old art at all, it is Giotto. You can, indeed, also see work of his at Assisi; but it is not likely you will stop there, to any purpose. At Padua there is much; but only of one period. At Florence, which is his birthplace, you can see pictures by him of every date, and every kind. But you had surely better see, first, what is of his best time and of the best kind.