Lafcadio Hearn

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IT is the fifteenth day of the seventh month - and I am in Hokii.

NOTHING is more silent than the beginning of a Japanese banquet; and no one, except a native, who observes the opening scene could possibly imagine the tumultuous ending.

1 This was written early in 1892

2 Quoted from Mr. Satow's masterly essay, 'The Revival of Pure Shinto,' published in the Transactions of the Asiatic Society of Japan. By 'gods' are not necessarily meant beneficent Kami. Shinto has no devils; but it has its 'bad gods' as well as good deities.

3 Satow, 'The Revival of Pure Shinto.'

4 Ibid.

5 In the sense of Moral Path, - i.e. an ethical system.

1 Formerly both sexes used the same pillow for the same reason. The long hair of a samurai youth, tied up in an elaborate knot, required much time to arrange. Since it has become the almost universal custom to wear the hair short, the men have adopted a pillow shaped like a small bolster.

Kinjuro, the ancient gardener, whose head shines like an ivory ball, sat him down a moment on the edge of the ita-no-ma outside my study to smoke his pipe at the hibachi always left there for him. And as he smoked he found occasion to reprove the boy who assists him. What the boy had been doing I did not exactly know; but I heard Kinjuro bid him try to comport himself like a creature having more than one Soul. And because those words interested me I went out and sat down by Kinjuro.

1 There is a legend that the Sun-Goddess invented the first hakama by tying together the skirts of her robe.

2 'Let us play the game called kango-kango. Plenteously the water of Jizo-San quickly draw - and pour on the pine-leaves - and turn back again.' Many of the games of Japanese children, like many of their toys, have a Buddhist origin, or at least a Buddhist significance.

1

THERE was a Buddha, according to the Hokkekyo who 'even assumed the shape of a goblin to preach to such as were to be converted by a goblin.' And in the same Sutra may be found this promise of the Teacher: 'While he is dwelling lonely in the wilderness, I will send thither goblins in great number to keep him company.' The appalling character of this promise is indeed somewhat modified by the assurance that gods also are to be sent. But if ever I become a holy man, I shall take heed not to dwell in the wilderness, because I have seen Japanese goblins, and I do not like them.

1 As it has become, among a certain sect of Western Philistines and self-constituted art critics, the fashion to sneer at any writer who becomes enthusiastic about the truth to nature of Japanese art, I may cite here the words of England's most celebrated living naturalist on this very subject. Mr. Wallace's authority will scarcely, I presume, be questioned, even by the Philistines referred to:

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