II. BOMBAY SCENES.
"Binishin bar sari juyo guzari umr bibin
kin isharat zi jahani guzeran mara bas."
So wrote the great poet of Persia: "Sit thou on the bank of a stream and in the flow of its waters watch the passing of thy life. Than this a vain and fleeting world can grant thee no higher lesson." Of the human tides which roll through the streets of the cities of the world, none are brighter or more varied than that which fills the streets of Bombay. Here are Memon and Khoja women in shirt and trousers ("kurta" and "izzar") of green and gold or pink or yellow, with dark blue sheets used as veils, wandering along with their children dressed in all the hues of the rainbow. Here are sleek Hindus from northern India in soft muslin and neat coloured turbans: Gujarathis in red head-gear and close-fitting white garments; Cutchi sea-farers, descendants of the pirates of dead centuries, with clear-cut bronzed features that show a lingering strain of Med or Jat, clad in white turbans, tight jackets, and waist cloths girded tightly over trousers that button at the ankle. There, mark you, are many Bombay Mahomedans of the lower class with their long white shirts, white trousers and skull-caps of silk or brocade: there too is every type of European from the almost albino Finn to the swarthy Italian, - sailors most of them, accompanied by a few Bombay roughs as land-pilots; petty officers of merchant ships, in black or blue dress, making up a small private cargo of Indian goods with the help of a Native broker; English sailors of the Royal Navy; English soldiers in khaki; Arabs from Syria and the valley of the Euphrates; half-Arab, half-Persian traders from the Gulf, in Arab or old Persian costumes and black turbans with a red border. Here again comes a Persian of the old school with arched embroidered turban of white silk, white "aba" or undercoat reaching to the ankles, open grey "shaya," and soft yellow leather shoes; and he is followed by Persians of the modern school in small stiff black hats, dark coats drawn in at the waist, and English trousers and boots. After them come tall Afghans, their hair well-oiled, in the baggiest of trousers; Makranis dressed like Afghans but distinguished by their sharper nose and more closely-set eyes; Sindis in many-buttoned waistcoats; Negroes from Africa clad in striped waist cloths, creeping slowly through the streets and pausing in wonder at every new sight; Negroes in the Bombay Mahomedan dress and red fez; Chinese with pig-tails: Japanese in the latest European attire; Malays in English jackets and loose turbans; Bukharans in tall sheep skin caps and woollen gabardines, begging their way from Mecca to to their Central Asian homes, singing hymns in honour of the Prophet, or showing plans of the Ka'aba or of the shrine of the saint of saints, Maulana Abdul Kadir Gilani, at Baghdad.
The ebb and flow of life remains much the same from day to day. The earliest street sound, before the dawn breaks, is the rattle of the trams, the meat-carts on their way to the markets, the dust-carts and the watering-carts; and then, just as the grey thread of the dawn fringes the horizon, the hymn of the Fakir rings forth, praising the open-handed Ali and imploring the charity of the early-riser who knows full well that a copper bestowed unseen during the morning watch is worth far more than silver bestowed in the sight of men. On a sudden while the penurious widows and broken respectables are yet prosecuting their rounds of begging, the great cry "Allaho Akbar" breaks from the mosques and the Faithful troop forth from their homes to prayer - prayer which is better than sleep. More commonplace sounds now fill the air, the hoarse "Batasaa, Batasaa" of the fat Marwari with the cakes, the "Lo phote, lo phote" (Buy my cocoa-cakes) of a little old Malabari woman, dressed in a red "lungi" and white cotton jacket, and the cry of the "bajri" and "chaval" seller, clad simply in a coarse "dhoti" and second-hand skull-cap, purchased at the nearest rag-shop. And as he passes, bending under the weight of his sacks, you catch the chink of the little empty coffee-cups without handles, which the itinerant Arab is soon to fill for his patrons from the portable coffee-pot in his left hand, or the tremulous "malpurwa jaleibi" of the lean Hindu from Kathiawar who caters for the early breakfast of the millhand. Mark him as he pauses to oblige a customer; mark his oil-stained shirt, and loose turban, once white but now deep-brown from continual contact with the bottom of his tray of oil-fried sweetmeats: watch him as he worships with clasped hands the first coin that has fallen to his share this morning, calling it his "Boni" or lucky handsel and striking it twice or thrice against the edge of his tray to ward off the fiend of "No Custom." But hark! the children have heard of his arrival; a shrill cry of "Come in, jaleibiwala" forces him to drop the first coin into his empty pocket; and with silent steps he disappears down the dark passage of the neighbouring chal.