Notes for Chapter Three
1 Formerly both sexes used the same pillow for the same reason. The long hair of a samurai youth, tied up in an elaborate knot, required much time to arrange. Since it has become the almost universal custom to wear the hair short, the men have adopted a pillow shaped like a small bolster.
2 It is an error to suppose that all Japanese have blue-black hair. There are two distinct racial types. In one the hair is a deep brown instead of a pure black, and is also softer and finer. Rarely, but very rarely, one may see a Japanese chevelure having a natural tendency to ripple. For curious reasons, which cannot be stated here, an Izumo woman is very much ashamed of having wavy hair - more ashamed than she would be of a natural deformity.
3 Even in the time of the writing of the Kojiki the art of arranging t hair must have been somewhat developed. See Professor Chainberlai 's introduction to translation, p. xxxi.; also vol. i. section ix.; vol. vii. section xii.; vol. ix. section xviii., et passim.
4 An art expert can decide the age of an unsigned kakemono or other work of art in which human figures appear, by the style of the coiffure of the female personages.
5 The principal and indispensable hair-pin (kanzashi), usually about seven inches long, is split, and its well-tempered double shaft can be used like a small pair of chopsticks for picking up small things. The head is terminated by a tiny spoon-shaped projection, which has a special purpose in the Japanese toilette.
6 The shinjocho is also called Ichogaeshi by old people, although the original Ichogaeshi was somewhat different. The samurai girls used to wear their hair in the true Ichogaeshi manner the name is derived from the icho-tree (Salisburia andiantifolia), whose leaves have a queer shape, almost like that of a duck's foot. Certain bands of the hair in this coiffure bore a resemblance in form to icho-leaves.
7 The old Japanese mirrors were made of metal, and were extremely beautiful. Kagamiga kumoru to tamashii ga kumoru ('When the Mirror is dim, the Soul is unclean') is another curious proverb relating to mirrors. Perhaps the most beautiful and touching story of a mirror, in any language is that called Matsuyama-no-kagami, which has been translated by Mrs. James.