"Those voiceless towers so tranquil seem,
And yet so solemn in their might,
A loving heart could almost deem
That they themselves might conscious be
That they were filled with immortality."
F. W. FABER.
The east end of Oxford Cathedral, shown both in the frontispiece (Plate I) and Plate XVII, probably contains the oldest buildings, above ground, in Oxford. Inside the cathedral can clearly be seen traces of three round arches, which may well be part of the church founded by St. Frideswyde in the eighth century. That princess, according to the tradition, the details of which are all pictured by Burne-Jones in the east window of the Latin Chapel, having escaped by a miracle the advances of too ardent a suitor, founded a nunnery at Oxford. The nunnery, which was later transferred to Canons, was undoubtedly the earliest institution in Oxford, and in its cloisters, in the second decade of the twelfth century, we hear of students gathering for instruction. It was this old monastery, which Wolsey, with his reforming zeal, chose as the site of his great Cardinal College, and the chapel of the old foundation was to serve for his new one, until such time as a great new chapel, rivalling in splendour that of King's College at Cambridge, had been built on the north side of Tom Quad. This new chapel never got beyond the stage of foundations; and hence the old building has continued to serve the college till this day, having been made also the cathedral of the new diocese of Oxford, which was founded by King Henry VIII. Wolsey may, perhaps, be credited with the fine fan tracery of the choir roof, but he certainly swept away three bays of the nave in order to carry out his ambitious building plans, and only one of these three bays has been restored in the nineteenth century.
Wolsey's action at Christ Church was significant. Men felt that the days of monasteries were past, and the Church was ready to welcome and to extend the New Learning. But his changes were a dangerous precedent; as Fuller says with his usual quaintness: "All the forest of religious foundations in England did shake, justly fearing the King would finish to fell the oaks, seeing the Cardinal began to cut the underwood." Henry, however, when he swept away the monasteries, spared his great minister's work; modifying it, however, as has just been said, by associating the newly-founded college with the diocese of Oxford, now formed out of the unwieldy See of Lincoln.
The cathedral is the smallest in England, but contains many features of special interest; its most marked peculiarity is the great breadth of the choir, due to the addition of two aisles on the north side; these were built to gain more room for the worshippers at the shrine of St. Frideswyde. Another feature of architectural interest is the spire, which is one of the earliest in England. But perhaps even more interesting is the wonderful series of glass windows, which give good examples of almost every English style from the fourteenth to the nineteenth century. And for once the moderns can hold their own; the Burne-Jones windows of the choir (not, however, the Frideswyde window, already mentioned) are particularly beautiful.
The hand of the "restorer" has been active at Christ Church, as elsewhere in Oxford; Gilbert Scott took on himself to remove a fine fourteenth-century window from the east end of the choir, and to substitute the Norman work shown in Plate I. The effect is admittedly good, but it may be questioned whether it be right to falsify architectural history in this way.
Oxford Cathedral has great associations apart from the college to which it belongs. It was to it that Cranmer was brought to receive the Pope's sentence of condemnation, and in the cloisters the ceremony of his degradation from the archbishopric was carried out. Almost a century later the Cathedral was the centre of the religious life of the Royalist party; when Charles I made his capital in Oxford and his home in Christ Church, and when the Cavaliers fought to the war-cry of "Church and King." It is not surprising that, when the Parliamentarians entered Oxford, the windows of the Cathedral were much "abused"; that so much old glass was spared was probably due to the local patriotism of old Oxford men.
In the next century it was to Christ Church that Bishop Berkeley, the greatest of British philosophers, retired to end his days, and to find a burial-place; and, during the long life of Dr. Pusey, the Cathedral of Oxford was a place of pilgrimage, as the living centre of the Oxford movement.
In the back of the picture (Plate XVII), behind the Cathedral, rises the square tower, put up by Mr. Bodley to contain the famous Christ Church peal of bells (now twelve in number), familiar through Dean Aldrich's famous round, "Hark, the bonny Christ Church bells." When the tower was erected, it was the subject of much criticism, especially from the witty pen of C. L. Dodgson, the world-famous creator of /Alice in Wonderland/. The opening paragraph is a fair specimen:
"Of the etymological significance of the new belfry, Christ Church.
"The word 'belfry' is derived from the French '/bel/ - beautiful, meet,' and from the German '/frei/ - free, unfettered, safe.' Thus the word is strictly equivalent to 'meat-safe,' to which the new belfry bears a resemblance so perfect as almost to amount to coincidence."
Others saw in the uncompromising squareness of the new tower a subtle compliment to the Greek lexicon of Liddell, who then was Dean. But in spite of the wits, who resented any innovation in so famous a group of buildings, Bodley's tower is a fine one, and really enhances the effect of Tom Quad.